Writing Without Filters: Why I Included Every Detail in My Book

Let me be honest right from the start: Book One isn’t your typical thriller, memoir, or literary novel. It’s not dressed up with fancy metaphors or punchy cliffhanger at the end of every chapter. Instead, it’s raw. It's honest. It's life—unedited, uncensored, and deeply personal. If you’ve ever wondered what it’s like to write a book where every “boring” detail is intentional, welcome to my world.

When people ask me, “What’s the book about?” I usually pause. Not because I don’t know the answer, but because the real answer is unexpected—it’s about me. Not in an egotistical way, but in the way that our lives are strange, layered, and often misunderstood. Book One is a close-up on the moments most people skim past: the routine, the unnoticed, the silent mental commentary we all live with but rarely document.

Why all the "boring" stuff?

Because the stuff is the truth. And the truth is often the most revealing part of any story.

I drink beer. That’s in the book. Not because I wanted to romanticize it, but because that’s what happens often. I go to work-daily. I write about that too. I write about how the people around me seem like actors in a surreal drama that might be orchestrated—by who or what, I don’t know. But it feels real, and that feeling matters.

You see, there’s something about paying attention to your surroundings—to the subtle expressions of people, the odd timing of news events, the way reality sometimes mirrors fiction—that starts to shape a new kind of narrative. In Book One, those mundane observations slowly converge into a larger image—media influence, social manipulation, historical events, and personal identity.

A world that revolves around the unnoticed

At the heart of the story is a guy—me—who begins to suspect that the world might be more tuned into his life than he ever realized. Not in a paranoid way, although you might interpret it that way at first, but in a sense that society plays out like a staged drama. Media headlines, political theatrics, and even arrests in town start to sync up with the things I notice. Coincidence? Maybe. But if it is, it’s the kind of coincidence you can’t ignore.

There’s violence in the story—but only to the extent that there’s violence in the world. I didn’t sensationalize it. I just mirrored what’s already in the media. I didn’t include drugs or bloodbaths. That’s not my life. But I did explore the psychology of being constantly watched, judged, or interpreted by others—sometimes unfairly, sometimes just incorrectly.

It’s not a conspiracy, it’s a confession

Book One might read like a slow burn at first. But I promise, once you're in, it builds. You begin to feel what I felt—that every moment, no matter how small, may be connected to something larger. Maybe it is a trust fund scam playing out like a theater performance. Or maybe it’s just the world through the lens of someone who’s paying attention.

In the end, this book is not about any suspense or plot twists. It’s about awareness. It’s about honesty. It’s about looking at your life without filters and having the courage to say: “This happened. I noticed. And I wrote it down.”

Why you should read Book One

If you’ve ever felt like life was moving around you in a pattern, like news stories echoed your thoughts, or like your job was part of a greater unseen design—this book might resonate more than you would expect. It's for the people who think deeply, feel sharply, and aren’t afraid to question reality as they know it.

So, no—I didn’t write Book One to impress anyone. I wrote it because I had to. And if you give it a chance, it might just change the way you look at your own “boring” life.